![]() ![]() The last operation took place in spring 2019.Ĭontrary to popular beliefs, the Tower’s nightly illumination, it’s golden glow, only represents about 4% of the monument’s annual energy expenses. Since that time and every four years, a team of SETE technicians has replaced the 336 projector bulbs that wrap the Eiffel Tower in golden light every evening. Their improved output of light preserves all the beauty of the overall appearance. an energy consumption saving of around 40%. In 2004, they were replaced by projectors with an electrical power of 600 watts as opposed to the previous 1KW, i.e. ![]() This is activated upon nightfall by the sensors. Additional diamond honeysuckle ornaments are scattered across the bodice of her gown.The projectors are turned on in under 10 minutes. This detail from the larger portrait photograph shows that, at this point in time, the honeysuckle and meander tiara was made up of individual diamond ornaments sewn to a velvet backing, much like the kokoshniks that were popular with Romanov empresses and grand duchesses (including Alexandra’s sister, Dagmar). A brilliant diamond necklace was also worn by her Excellency.” The Belfast News-Letter noted, “The Countess Spencer wore a white satin dress with pearl ornaments, her headdress being a tiara set with diamonds. She certainly wore a tiara for the banquet at the castle. This portrait of Charlotte wearing the honeysuckle and meander tiara may date from the time of that visit. In April 1885, when the Prince and Princess of Wales made a visit to Ireland, they were the guests of honor at a banquet hosted by the Spencers at Dublin Castle. The 5th Earl Spencer also served two tenures as Lord Lieutenant of Ireland. ![]() The sketch, a gift to the couple from the groom’s father, was described by the Northampton Mercury as “an extremely fine study, which the artist himself considers to be one of the best he has drawn.”Ĭharlotte Spencer, wife of the 5th Earl Spencer, in a portrait dating to 1885 (Hulton Archive/Getty Images) Bejeweled brooches, rings, bracelets, and necklaces were among the sparkling haul, as was a sketch of the bride by the famed artist John Singer Sargent (pictured above). But contemporary newspapers and magazines still covered the details, publishing lists of guests and wedding presents. The nuptials were well attended, but they were somewhat overshadowed by the royal wedding that took place the very next day: the wedding of Princess Patricia of Connaught and Alexander Ramsay at Westminster Abbey. She was a daughter of the 3rd Duke of Abercorn, a granddaughter of the 4th Earl Lucan, and a great-granddaughter of the 5th Duke of Richmond. He was the eldest son of the 6th Earl Spencer and a grandson of 1st Baron Revelstoke. Together, their history was a who’s who of British nobility. Albert Spencer, Viscount Althorp was a 26-year-old officer in the Life Guards, and his bride, Lady Cynthia Hamilton, had spent much of the recent war working in a munitions factory. James’s Church, Piccadilly for the wedding of a future earl and his countess. On February 26, 1919, a glittering gathering of aristocrats assembled at St. Lady Cynthia Hamilton, Countess Spencer When Viscountess Althorp by John Singer Sargent, 1919 (Courtauld Institute of Art) ![]()
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